Anna Weyant: The Guitar Man Version:Signed Combining Murakami’s influential Superflat aesthetic

Combining Murakami’s influential Superflat aesthetic with the nostalgic graphic style of 1980s video games

Crying Slab also borrows from Surrealist animism to reflect Ruby’s interest in myth and mutation

a group exhibition curated Zeng Fanzhi at Gagosian

This poster was originally produced in 2013 as a double-fold announcement for the exhibition Jean-Michel Basquiat at Gagosian

towards the end of his career

Anna Weyant: The Guitar Man Version:Signed Combining Murakami’s influential Superflat aestheticThis poster featuring The Return of The Girls Next Door (202223) was produced in 2023, in conjunction with the exhibition Anna Weyant: The Guitar Man at Gagosian, rue de Castiglione, Paris. Named for a song by Los Angeles soft rock band Bread, the artists European solo debut included new figure and still life paintings inspired by classics of American pop culture such as The Addams Family, Clue, Looney Tunes, and Playboy. The Guitar Man also saw